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Born in London, UK

1997 - 2010
BTec Foundation (Art & Design), Chelsea College of Art, London (1997)
BA in Fine Art (Printmaking) from ARU Cambridge (2020)
MA by Project (Fine Art) from London Metropolitan University (2010)

Video works presented at Tate Tanks, for the exhibition Tweet me up and projections screened at Tate Britain, in the exhibition Label

2013 - 2020
Lived and worked in New York on an O1 Visa; was named in the New York's top 10 artists list in Art5111 magazine, 2018

Published essay "The Aesthetics of Failure" in "The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and the Unfinished" (Bloomsbury)

Collaborated with Birgitta Hosea & Carali McCall (co-authors of Performance Drawing: New Practices Since 1945) for Some Loose Assemblies, 100 Years Gallery, London

Collaborated with Gerald Curtis for Writing the Future, Watermans Art Centre London, ACE Funded

Duo exhibition with Sophie Seita "There's no way I can know it, the object or the body", HOXTON 253 Art Project Space, London, Funded by Hackney Council

Sonic works brodcast on Isotopica for Resonance FM

Staged solo immersive performance painting at Venice Biennale, "Tintoretto's Daughter"; collaborated with Venice-based photographer Mark Edward Smith exploring the possibilities of performance painting documentation, which was reviewed by SPAM zine in Kherbek's essay 'Posthuman, all too human'.

Residency at Aldeburgh Beach Lookout, UK










Claire Zakiewicz in Sara Lane Studios, Hoxton
Photographer: Chris Freeman, 2022












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