1978
Born in London, UK

1997 - 2010
BTec Foundation (Art & Design), Chelsea College of Art, London (1997)
BA in Fine Art (Printmaking) from ARU Cambridge (2020)
MA by Project (Fine Art) from London Metropolitan University (2010)

2011
Video works presented at Tate Tanks, for the exhibition Tweet me up and projections screened at Tate Britain, in the exhibition Label

2013 - 2020
Lived and worked in New York on an O1 Visa; was named in the New York's top 10 artists list in Art5111 magazine, 2018

2020
Published essay "The Aesthetics of Failure" in "The Aesthetics of Imperfection in Music and the Arts: Spontaneity, Flaws and the Unfinished" (Bloomsbury)

2021
Collaborated with Birgitta Hosea & Carali McCall (co-authors of Performance Drawing: New Practices Since 1945), who performed for Zakiewicz's curated project, Some Loose Assemblies, 100 Years Gallery, London

2021
Collaborated with Gerald Curtis for Writing the Future, Watermans Art Centre London, ACE Funded

2022
Duo exhibition with Sophie Seita "There's no way I can know it, the object or the body", HOXTON 253 Art Project Space, London, Funded by Hackney Council

2022
Sonic works brodcast on Isotopica for Resonance FM

2022
Staged solo immersive performance painting at Venice Biennale, "Tintoretto's Daughter"; collaborated with Venice-based photographer Mark Edward Smith exploring the possibilities of performance painting documentation, which was reviewed by William Kherbek for SPAM zine in his essay 'Posthuman, all too human'.

2023
Upcoming residency and performance at Aldeburgh Beach Lookout, UK, July (more details TBA)

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