A live, trans-disciplinary improvisation
This performance brought together improvised electric guitar, cello, live electronics, spoken text, and live painting.
Developed alongside ongoing research into embodiment, authorship, and generative systems, the work positions painting as a material counterpoint to computational logics of speed and optimisation. Paint slows things down. It sticks to the canvas. It holds friction, gravity, and the trace of the body.
This performance forms part of an ongoing exploration of collaboration, distributed agency, and painting as an ancient yet adaptive technology - one that continues to question, re-sensitise, and hold complexity in the present.
Georgia Morgan Turner: electric guitar
Peter Nagle: cello , voice & live electronics
Claire Zakiewicz - performance painting , voice
Wednesday 4 February
1:30-2:30pm
The Bridge Room, 3rd Floor, Woo Building, RCA Battersea
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Stay in tune, 2026
Oil, acrylic and pastel on canvas
173 x 194 cm
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Stay in tune, 2026
Oil, acrylic and pastel on canvas
173 x 194 cm
Royal College of Art, Bridge Studio
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On this track, 2026
Oil, acrylic and pastel on canvas
173 x 194 cm
Royal College of Art, Bridge Studio
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Ear to Arm, 2026
Oil, acrylic and pastel on canvas
100 x 70 cm
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Ear to Arm, 2026
Oil, acrylic and pastel on canvas
100 x 70 cm
Royal College of Art, Bridge Studio
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Over the bridge were eight balloons, 2026
Oil, acrylic and pastel on canvas
173 x 194 cm
Royal College of Art, Bridge Studio
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